Sunday, November 25, 2018

A Song For Sunday - Blind Willie Johnson Keep Your Lamp Trimmed and Burning

Seminal gospel-blues artist Blind Willie Johnson is regarded as one of the greatest bottleneck slide guitarists. Yet the Texas street-corner evangelist is known as much for the his powerful and fervent gruff voice as he is for his ability as a guitarist. He most often sang in a rough, bass voice (only occasionally delivering in his natural tenor) with a volume meant to be heard over the sounds of the streets. Johnson recorded a total of 30 songs during a three-year period and many of these became classics of the gospel-blues, including "Jesus Make up My Dying Bed," "God Don't Never Change," and his most famous, "Dark Was the Night -- Cold Was the Ground." It is generally agreed that Johnson was born in a small town just South of Waco near Temple, TX, around 1902. His mother died while he was still a baby, and his father eventually remarried. When Johnson was about seven years old, his father and stepmother fought and the stepmother threw lye water, apparently at the father, but the lye got in Willie Johnson's eyes, blinding him. As he got older, Johnson began earning money by playing his guitar, one of the few avenues left to a blind man to earn a living. Instead of a bottleneck, Johnson actually played slide with a pocketknife. Over the years, Johnson played guitar most often in an open D tuning, picking single-note melodies, while using his slide and strumming a bass line with his thumb. He was, however, known to play in a different tuning and without the slide on a few rare occasions. Regardless of his excellent blues technique and sound, Johnson didn't want to be a bluesman, for he was a passionate believer in the Bible. So, he began singing the gospel and interpreting Negro spirituals. He became a Baptist preacher and brought his sermons and music to the streets of the surrounding cities. While performing in Dallas, he met a woman named Angeline and the two married in 1927. Angeline added 19th century hymns to Johnson's repertoire, and the two performed around the Dallas and Waco areas.

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