“I date my break [from atheism] from a very casual happening. I was sitting in our apartment on St. Paul Street in Baltimore. . . . My daughter was in her high chair. I was watching her eat. She was the most miraculous thing that had ever happened in my life. I liked to watch her even when she smeared porridge on her face or dropped it meditatively on the floor. My eye came to rest on the delicate convolutions of her ear — those intricate, perfect ears. The thought passed through my mind: ‘No, those ears were not created by any chance coming together of atoms in nature. They could have been created only by immense design.’ The thought was involuntary and unwanted. I crowded it out of my mind. But I never wholly forgot it or the occasion. I had to crowd it out of my mind. If I had completed it, I should have had to say: Design presupposes God. I did not then know that, at that moment, the finger of God was first laid upon my forehead.”
Whittaker Chambers, Witness (New York, 1953), page 16.
Ray Ortlund
Whittaker Chambers, Witness (New York, 1953), page 16.
Ray Ortlund
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